In addition, a deep storage vault will serve as a safe place to store the collection. Fully automated high-shelf storage will provide ample space for the 10,000 masterpieces, stored in cassettes. A computer-controlled storage administration system delivers items within 90 seconds. Since February 1999, and as part of the construction project, Albertina employees have been digitally capturing the pictorial data of all drawings and watercolors for inclusion in a huge database. This project has the support of the Austrian Federal Ministry of Education and Cultural Affairs.
Once the deep storage vault is completed, a research building furnished with state-of-the-art equipment, reading rooms, digital studios, a library and records office, and a reproduction and restoration department will be built. This building will function as the nerve center of the Albertina’s collection activities.
Construction will conclude in the fall of 2002. Then, with its deep storage vault, research building, new exhibition hall and a totally new exhibition concept, the Albertina will once again regain the importance it once had in Austrian and international artistic circles.
Protection with quality glass
The conservation of priceless works of art will increasingly demand special precautions, especially when works are sent out as part of a larger temporary exhibition. This unavoidably exposes the art works to all kinds of dangers, above all to the “ravages of time”, which in conservation circles simply means ultraviolet rays. Practically all materials that the artist used to create the work of art are slowly but surely damaged by UV rays with the passage of time: colors, canvases, wood or paper – all suffer. Most of these materials lose their original brilliance: colors become pale and matte, losing their power; paper and wood gradually turn darker. This is one reason why so many works of art are displayed only under very low light.
The Albertina has now decided to glaze pictures with “Mirograd Protect” before sending them to temporary exhibits. Aside from protection from UV rays, “Mirogard Protect” safety glass offers color neutrality, high brilliance, freedom from reflection and mechanical protection – in more than one way. The UV protection foil glued between the glass panes prevents the formation of damaging splinters in case the glass breaks. When transporting the pictures, it is therefore no longer necessary to remove and replace the conventional glass panes, saving valuable time. The laminated safety glass used for the pictures and showcases also protects them against theft and vandalism.
The Albertina has already signaled to the SCHOTT Austria Sales & Distribution Co. that after its reopening it will use “Mirogard Protect” for all artworks displayed in its permanent exhibition rooms.